Date & Artists

20th of July 2025 I 19.00 I Källa Gamla Kyrka
The concert is 1 hour without break.
Shuichi Okada, violin
Olivier Blache, violin
Cédric Robin, viola
Zephyrin Rey-Bellet
, cello

Program

  • J. S. Bach Partita no. 3 in E major mov. 1, 2 & 3

  • J. S. Bach Cello Suite No. 2 in D minor
  • J. S. Bach Chaconne in d minor for solo violin
  • J. S. Bach Inventions for violin and cello

The historic setting of Källa Gamla Kyrka provides an ideal environment for the music of Johann Sebastian Bach—music that transcends its time through clarity, craftsmanship, and spiritual depth. With its intimate scale and resonant acoustics, the church invites a focused listening experience, where each note can be heard with remarkable immediacy and emotional weight.

This program presents some of Bach’s most significant works for strings, offering a varied exploration of his mastery in instrumental writing.

The concert opens with the Suite No. 2 in D minor for solo cello, a work marked by introspection and expressive gravity. Composed during Bach’s tenure in Köthen, the cello suites combine Baroque dance forms with an unparalleled sense of narrative and rhetorical pacing. In the second suite, the darker tonal palette and inward-looking character invite the listener into a space of quiet reflection.

The program continues with the Chaconne in D minor from the Partita No. 2 for solo violin, a composition widely regarded as one of the greatest works ever written for a single instrument. Structured as a series of variations over a repeating bass figure, the Chaconne unfolds as a monumental musical meditation, encompassing a vast range of emotional and technical expression. Its grandeur is made all the more striking in the acoustical purity of this sacred space.

In contrast to these expansive solo works, the program also includes a selection of Inventions, here performed in arrangement for violin and cello. Originally conceived as pedagogical pieces for keyboard, these short duets demonstrate Bach’s ability to infuse the simplest material with elegance, balance, and contrapuntal sophistication. In this setting, the dialogue between the two instruments brings the music vividly to life, highlighting the clarity of thought and inventive spirit that define Bach’s style.